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Episode #689 · Matt Walsh & Jeremy SumpterAugust 2014 · 00:03:22
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0:03Look at the sides. Oh my god. It's your generator. Did you hear that? I gotta get my son. Can you take this? How is that? This is what you guys do for living. Hey, Chase. I study I like this background. This is cool. Yeah, I do. No, do I get it? I don't get it. No, it's all right. No, it's all right. Well, you guys are the stars of the film It's fine. I see how these things work. I'm excited for this thing to be turned into a ride though And you're probably gonna be driving the tightest leading people being like come on I know this movie could be right couldn't it? Yeah, absolutely
0:51It is a ride with the cars coming down and stuff and the 20-0 spinning extra around and yeah Maybe and then what getting sucked up in it. Yeah, there's a way to do it. Yeah, there's a way. I heard you actually saw it tornado Yeah, when I was a kid, I was a group before I asked you. I'd lost count. Okay I grew up in Kentucky and you know, we get 20s real time not not like they do in Oklahoma but we get them and It towards my elementary school was in class and toward the roof off the gym We're in the hallways and it's just the buildings rattling the sounds were you know horrific and it's crazy So how life life was it the world they created for you to be in? Pretty life like we didn't hear the sounds of the tornadoes and stuff But they had the wind machines going 140 mile an hour 40 miles per hour in our face with debris everywhere and
1:39You know ray machines, so it was pretty realistic in the sense that you know, we were inside a tour We were in the storm of a tornado just without the funnel, you know? Yeah Yeah, there's nothing better than like Walking on set and the and the art department has put like a bus through a wall and they've got 10 bikes They're a tree and a pitchfork through a telephone pole. It's like I candy for an actor It was you know, I can't even for an actor. Well, not really so terrible segue to that Talking into the talking into the camera acting must kind of be like stage a little bit. Yes, no I guess it is like that's the audio you're almost addressing an audience sure, but Also, they were ever present So you almost forgot you were talking to camera at times because there at any given moment There's his camera and Lee the other actor and there's cameras on the tightest and then the actual cameraman
2:25So you you kind of forgot that you were talking to camera after all even when it was those sort of testimonial format ones Nathan was saying he almost forgot he was acting at points like because so much is happening. You're just reacting to the situation It shows in a couple of his scenes That's the comedy right there that's you see me for you. Thank you I just yeah, let's give that a plug because that thank you for creating that thing. Oh, thank you Thank you for thanking me. It's the greatest thing if you go to New York You go to LA you got to go to one of these shows. Oh, thanks talking to the camera, but yeah, yeah Yeah, did you feel that differently? Thank you, I know you guys go do some cool five questions five quick questions one more dancers script or improv Improv improv stage or screen screen screen Lenna McCutney
3:11Mccarnie Hitchcock or Kubrick Kubrick in one word into the storm storm awesome. Thanks guys One brute storm
ABOUTThe archive
This interview is part of the Matt Schichter Interviews archive: more than 700 conversations with musicians, actors and filmmakers recorded between 2003 and 2014, beginning with The BackStage Pass. The archive also became Matt's short documentary Lennon or McCartney. Matt Schichter is now a Glasgow-based film producer and director. His films → · More about Matt →
Listen to the full archive on Apple Podcasts or Spotify.